The sight of Antioch, so celebrated in the annals of Christianity,
revives the enthusiasm of the Crusaders.
French printmaker, one of the most prolific and successful book illustrators of the late 19th century, whose exuberant and bizarre fantasy created vast dreamlike scenes widely emulated by Romantic academicians.
A luminous angel guides the Crusaders marching at night.
In 1847 he went to Paris and from 1848 to 1851 produced weekly lithographic caricatures for the Journal pour Rire and several albums of lithographs (1847–54). His later fame rested on his wood-engraved book illustrations. Employing more than 40 woodcutters, he produced over 90 illustrated books. Among his finest were an edition of the Oeuvres de Rabelais (1854), Les Contes drolatiques of Balzac (1855), thelarge folio Bible (1866), and the Inferno of Dante (1861). He also painted many large compositions of a religious or historical character and had some success as a sculptor; his work in those media, however, lacks the spontaneous vivacity of his illustrations.